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Need some poster design inspiration? You’ve come to the right place. We’ve gathered some good ones to get your creative juices flowing. Continue Reading
Capturing a clean, crisp, accurate image of the work you’ve spent so many hours to achieve is one of the most vital elements of pulling together your portfolio. Miss the mark and you may lose the job.
Since there is so much skill and expertise associated with product photography, unless you are well equipped and well educated, you may be misrepresented. Professional Cleveland photographer and extended Go Media family member Dan Morgan, of Straight Shooter, recommends designers leave it to a professional.
With over 30 years of photography experience under his belt, Morgan has learned to shoot and light every kind of product conceivable. Beginning his career at his father’s photography business, Morgan Studio, Dan has worked for the likes of Bonne Bell, Sotheby’s in New York and Kate Spade. He has photographed everything from the jewelry Marilyn Monroe and Katharine Hepburn once doned to fishing lures and Ferraris. Dan has come to specialize in shiny objects, arguably one of the most difficult products to shoot.
Dan talks to us today about some of the challenges he has faced as a product photographer, as well as some of the tricks of the trade. Continue Reading
I wanted to come up with a block print design for the old American idiom “Pushing up Daisies”. I’ve actually been surprised by the number of people that haven’t heard of this old saying. Maybe it’s more of a southern thing. It means dead and buried. The elders used to claim that concentrated patches of daisies would grow over the graves of the deceased. I think it just sounds cool.
For my block prints, I like to use linoleum. Linoleum is a lot easier to work with than wood. They say that the lifespan of linoleum is up to 10 years before the linoleum itself starts to degrade. I haven’t gotten to that point but my blocks are still going strong.
My first step in the process of creating a design is to sketch out a simple idea. I like to keep the composition simple because I know that I’ll be carving out all the negative space and detailed illustrations for block printing can be a recipe for pain and frustration. But, by all means, push yourself. Continue Reading