How To Design a Font: {Part2} Draw Up A Storm!

Terminology

Before we get into the meat of this tutorial I want to give you a crash course in font terminology. I know it’s not exactly the most exciting thing but I seriously think it’s good for you to know this before we get too far.


Sans serif: A type of font that doesn’t have accents on the end of its strokes.


Serif: A font that has little accents on the end of its strokes.

Vocabulary to Know:
Baseline: The line that the letter sits on.
Median: the middle line where lowercase letters end.
X height: the distance between baseline and median, traditionally 60 percent of the total height of the cap height.
Cap height: the line where capital letters end.
Ascender height: The line where ascenders end, only slightly above the cap height.
Ascender: the part of a lower case letter that extends above the median.
Decender: the part of a lower case letter that goes below the baseline.

Sketching

Now that you have your inspiration and an idea for your font it’s time to put it into action. I think that some designers sort of forget about the sketching process. It’s honestly the MOST crucial. The beauty of sketching is there isn’t a sense of commitment. You can crank out loads of ideas very quickly since you aren’t worried about making the design look perfect. It’s a lot faster to do 10 loose sketches on paper than trying to do the same thing on the computer. I remember one of my professors once said that the computer is a tool, no different than a pencil or pen, don’t rely on it to design for you.


There are several different ways in which you can draw some ideas. I use a combination of ways to get my thoughts together. Usually I use a scroll that’s always on my desk for sketching. The reason I use a scroll instead of a piece of paper is because I like not being limited by how many sketches I can do. Plus, it’s all contained in that one roll so I never have to worry about losing a sketch.


In the sketching process I will draw a few characters that I think might help me figure out the characteristics of the rest. Here are the characters that I usually start out with first: a, e, g, n, d. You can also do a few capitals as well like: A, E, G, M. From these characters it will give you a good variety of forms that are pretty similar in other letters. Start out designing these letters and see what you think. If they’re working try some more, if not then you haven’t wasted your time designing an entire font that sucks.


Draw a variety of perspectives of the font as well. I usually like to draw a few pieces of the font to show how different pieces are going to connect. Don’t be afraid to draw really quickly at first. When you start seeing something you like, draw a few different versions of that idea to see what you like best. Never settle for your first idea. Sometimes I will also write notes on the side of my sketches just to remind myself of something when I do the final sketch.

This initial sketching time is sort of like a funneling process to get down to that one idea that you are really excited about.

Once you’ve got a pretty clear idea of where you see the font going, it’s time to get out the grid paper. This is when you are going to draw out ALL of your characters. I like to use grid paper just because I can get the proportions between letters right on. Keep in mind that all your letters aren’t going to take up the same width, but they should be the same height. Some letters like “M” and “W” are going to take up a lot of width but letters like “I” don’t take up much at all. At this point in your sketching you’re still not fully committed to one idea, so feel free to play around with different ideas. Sometimes I will do a few different versions of a letter if I’m still not satisfied.

Next Time: Going Digital

Now that you have all of your characters drawn it’s time to get digital. Sometimes I will scan in my grid paper drawings and just trace them in illustrator. You can also just look at the drawings to design the characters, whatever works best for you. If this is your first font maybe you should go from a scan.


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design, font, inspiration, tutorial, typography

This post was written by:

Katie Major - who has written 10 posts on GoMediaZine.

I'm a graphic designer here at Go Media with a passion for typography, learning, photography, reading, knitting, and playing music. Check out some of my personal projects here.

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  • Nice How To! I use a ring binder for my sketches an i never lose a sketch, too. :)
  • Nice 2nd part i was wondering which letters to sketch out first for detail reasons (now i know), a roll of sketching paper is a neat idea, less clutter and more space,

    Cant wait for the next part.
  • Nice job, Katie.
  • Ragnar Þór
    nice, keep it coming
  • Great lesson, such a teaser tho. But I guess there's plenty of info for us to get our heads around first.
  • shame you dont own a Mac. hahahahaha awesome tips, thank you so much
  • Great information for the second part of the series. Again, can't wait for the next installment.
  • wow, this is a really great series of tutorials
    i'm really looking forward to seeing more
    ...and the scroll for scribbles is pretty strange, but good :-)
  • Great info, cannot wait until you'll post "going digital".

    @Philipp : Gotta get that ring binder, great idea.
  • Tori
    WOOHOO...I am a font freak...(not to be confused with the website)and Im waiting on pins and needles to know the next step... I have TONS of font ideas...but any kind of "font maker" deal I ever downloaded never gave me the results I wanted...I knew I could do it in illustrator...but never honestly bothered to search enough to find out how...Thanks for the ongoing tutorial..I cant wait to finally see my OWN font

    LOVE the scroll...I have a butt load of that butcher paper here as well...(its great for kids too)....
  • Mayj
    thanks for the great idea! now i have great use for 2 rolls of craft paper gathering dust!!
  • Scroll is a great idea. If I ever get an office, I'll have to try that idea out. Maybe start out with one a little small that yours though. Looking forward to the next installment!
  • Great yaar....
    This is a really great series of tutorials....
  • Tim
    Gah, awaiting my new Moleskines, so most of my sketching is on hold. I really wanna get into some better typography though.
  • Wow a good tutorial.. I do not know until I read this post that there is a lot of work like this involved in designing a font...
  • Lovin' it guys. Concise, informative, methodical... Keep em coming!
  • I can't wait for the going digital part of this series as I always wanted to create a few handwriting style types, but never had the chance to really look into the process of creation. Thanks for outlining the basics.
  • Auror
    very insightful article, great job katie!
    I'm always interested in other designers work habits. Always helps me improve my own.
  • hey everyone! thanks for the awesome support for these tutorials! If you have any questions as we're going along please feel free to email those questions. katie@gomedia.us
  • Wow! im looking the next step of this tutorial.
  • Perlinpinpin
    the scroll is great...
  • Не пора бы вам начать монетизировать ваш блог?
  • Nice information, I like the typography...
  • Scoot159
    Good. Very high quality work that many labor More look certain to hold a health....
  • Scoot159
    I have TONS of font ideas...but any kind of "font maker" deal I ever downloaded never gave me the results I wanted...I knew I could do it in illustrator...but never honestly bothered to search enough to find out how
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